Friday, February 10, 2017

Simply Flying into Mordor

PRECIOUS CARGO (detail). 2012.
Photoshop, 24 × 36″ @400ppi.

I'm leaving the country! (At least for a couple weeks). Blog break. Work break. News break. Take care of yourselves while I'm gone! It's currently summer in Mordor.

Wednesday, February 8, 2017

Wacky Reference Wednesdays, No. 333

MORBIUS. 2017. Gouache & Acryla Gouache on paper, 9 × 12″.

Here's yet another recent commission that was based on lighting found in the Handy app on my phone and tablet. I also used a healthy dose of Gil Kane artwork as inspiration.


I had to make up that nose!


unedited scan detail

Monday, February 6, 2017

Boba Fett Commission

BOBA FETT. 2017. Ink & watercolor on paper, 9 × 12″.


detail of unedited scan

Friday, February 3, 2017

The Russians Are Coming!

DIVINITY. 2016. Pentel Brush Pen & Copic Marker
on sketch cover, 7 × 10.5″.


detail of raw scan


WINTER SOLDIER. 2016.
Ink & watercolor on paper, 9 × 12″.


detail of raw scan

Wednesday, February 1, 2017

Wacky Reference Wednesdays, No. 332


THE VALIANT #1 PG. 5. 2015.
Photoshop (#KyleBrush), 2750 × 4175 px.

I remember having some trouble with the second row sequence on this page from The Valiant. I was trying to follow the script too closely when I should've just gone with my gut (sometimes what sounds good in prose can get sticky when the players are on stage). Fortunately for me, my editor, Warren Simons, pointed out that we could just switch the panels and it would read well enough. Problem solved!

This page was done completely in Photoshop using Kyle T. Webster's brushes (mostly the Rough Inker).


my not-so-bare breasts


digital inks and tone


digital pencils


digital layout

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