Monday, January 30, 2017

Huntress Commission (and New Zealand Trip)

HUNTRESS. 2017.
Gouache & Acryla Gouache on paper, 9 × 12″.

Hey, folks! I'll be taking a family trip to New Zealand next month, including stops to Hobbiton and Weta Workshop. Are there any comic shops interested in hosting a signing? If so, please send me an email at contact@paolorivera.com and we can work out details. Thanks!


detail of raw scan

Friday, January 27, 2017

Black Widow (NYCC 2016 Pre-Commission)

BLACK WIDOW. 2016.
Watercolor, gouache, and Acryla Gouache on paper, 9 × 12″.



detail of raw scan

Wednesday, January 25, 2017

Wacky Reference Wednesdays, No. 331

BLACK PANTHER #10 Variant Cover. 2016.
Ink(ed by Joe Rivera) on bristol board with digital color, 11 × 17″.

The second of 4 connecting Black Panther covers is out today! (details at Marvel). I tend to use the most photo reference for people holding things... and this cover had a lotta dudes holding weapons.


an army of me


inks by my Pops!


blue-line print of pencils


pencils over digital sketch


layouts and studies, pencil and marker

Monday, January 23, 2017

The Dark Knight (NYCC 2016 Pre-Commission)

BATMAN: THE DARK KNIGHT. 2016. Watercolor on paper, 9 × 12″.


hi-res raw scan

Friday, January 20, 2017

Frog Thor Critiques


Rupam Grimoeuvre. THOR: RIBBIT. 
2016. Oil on paper, 14 × 21″.

I recently had a couple burgeoning illustrators ask for advice on similar subject matter: Throg. (For those of you scratching your heads, here's a primer.)

The first, a faux movie poster, was sent to me by Rupam Grimoeuvre, who asked for some advice. I gave him some first impressions and general pointers, listed below. You can see his process for the poster at his blog.

Overall, the composition works, just needs some minor tweaks.

- In general, the title (especially for a movie) shouldn't be covered, so get that plant out of there.

- The plant is hitting the frog's elbow at an awkward spot. Be wary of tangents, try to make this overlap as clearly as possible.

- Lightning should probably be pure white, maybe cross over Thor's hair a bit (right now, it's just dividing the comp in 2)

- Lightning through cape should probably be more diffuse, maybe pure red or orange?

- Frog legs (especially red feet) are interfering with the title. Should move title down or him up.

- Decent likeness on Hemsworth, but I'm not feeling the hair. Don't worry about rendering each strand (in front of face is fine), just block in the general shape and it will read right.


Nick Lasovich. THROG (wip). 2016. Digital, 12 × 18″.

The second Throg piece was done by Nick Lasovich. We went back and forth through a few iterations, but my main recommendations are listed below, followed by the finished piece.

I wouldn't worry about the black — that won't really add anything to the composition. What could help, however, is some selective lighting to better frame Throg. Right now, when I squint at it, I lose most of the figure.

There are a couple ways you could do that.

1. Have the lightning hit closer to him (on or off panel) giving him a near-white highlight or rim light. If rim, you'd have a nice opportunity to play with light bouncing off and shining through the red cape.

2. Illuminate the air. Get a little more atmospheric perspective in there to create a distinct silhouette.

Also, the setting seems a bit vague. You don't have to go into crazy detail, I just need some key points so I know where he is. I might have suggestions, but I need to know what you're going for. Hope that helps!


Nick Lasovich. THROG. 2016. Photoshop, 3000 × 4500 px.

Wednesday, January 18, 2017

Wacky Reference Wednesdays, No. 330

LINK. 2017. Gouache & Acryla Gouache on paper, 9 × 12″.

I've been spending a little too much time on these commissions as of late, but the result is a more painterly style. This latest batch has been done in gouache and usually clock in around 6 hours. Previously, these portraits were done mostly in watercolor and took 3-4 hours.

I've also been playing with lighting thanks to the Handy app on my phone and tablet. Cast shadows have never been easier!


(shhh... I used the female head)


raw scan

Friday, January 13, 2017

Gwen Stacy (NYCC 2016 Pre-Commission)

GWEN STACY (after Romita). 2016.
Ink & watercolor on paper, 9 × 12″.


high-res raw scan

Wednesday, January 11, 2017

Wacky Reference Wednesdays, No. 329

SPIDER-MAN STYLE GUIDE. 2016. Gouache &
Acryla Gouache, Photoshop on bristol board, 11 × 17″.

Marvel asked me to do a style guide pin-up of a certain popular character and I was more than happy to oblige. The only stipulation (besides "make it look cool") was that the figure had to be on a separate layer from the background. That being the case, I painted the main figure in gouache and the buildings in Photoshop using Kyle T. Webster's brushes (mostly the gouache set, and a few mods of my own).


Come at me, bro!

I wanted the figure in direct sunlight, so I took my handy mannequin outside to get the right light. I had to take a couple different pics to get the effects I wanted. I've also been working on a pair of legs in Sculptris that I lit in Photoshop for highlight information.

I have no idea where this will end up, but keep an eye out for it... and please let me know if you see it out in the wild!


raw scan of gouache painting


digital drawing with guides


digital color study


digital sketches


digital background


wip screen shot

Monday, January 9, 2017

Jessica Jones

JESSICA JONES. 2016.
Watercolor & Acryla Gouache on paper, 11 × 17″.

I don't think I ever posted the final version of this piece from last year. It was done for the San Francisco Comic Con, but didn't end up getting used. (Plus Krysten Ritter ended up not attending.)  But all is not lost! I've still got some prints available in the shop.

You may remember seeing this in progress from a previous Wacky Reference Wednesday.


detail of raw scan

Wednesday, January 4, 2017

Wacky Reference Wednesdays, No. 328

PLANET HULK. 2016. Gouache & Acryla Gouache on paper, 9 × 12″.

For this portrait I used a Hulk model that I had sculpted previously in Sculptris (time lapse video of the sculpting process here). I exported the model as a .obj file and lit it in Photoshop, a nice option for quick and dirty reference.

I switched to gouache instead of watercolor for this portrait (among the many others I did for last year's New York Comic Con). The process is mostly the same, but it allows for some opaque effects if needed.



self-portrait, obv


detail

Monday, January 2, 2017

Kamala Khan, aka Ms. Marvel

MS. MARVEL. 2016. Gouache on paper, 9 × 12″.
(NYCC 2016 Pre-Commission)

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