|Poor Peter Parker...|
One Moment in Time required several sequences that not only referenced earlier issues of Amazing Spider-Man, but overlapped them, almost line for line. The effect we had hoped for—a clean and clear transition between old and new art—wasn't completely successful. My art was not enough of a contrast with Paul Ryan's pencils and Vince Colletta's inks, especially with updated coloring.
On this page, we took the story in a different direction in the final panel, which required an original composition, not to mention a new shot of the Brooklyn Bridge. As I often do, I leaned on Google's 3D warehouse to find an appropriate model.
|Layout. Pencil on paper, 4 × 6″|
|Digital composite, including panels from ASM Annual #21|
Amazing Spider-Man #638, Page 31. 2010.
Ink on Marvel board (with digital color), 11 × 17.25″.