Wednesday, September 13, 2017

Wacky Reference Wednesdays, No. 353

HELLBOY AND THE B.P.R.D.: 1955 #1. 2017.
Gouache and acrylic on bristol board, 13 × 19″.

This issue hits shelves today! (Been a while, right?) Full details at the Dark Horse site. I used the Hellboy bust I sculpted in Sculptris and lit the scene in Photoshop. I threw in some simple geometric shapes to help get a handle on the lighting situation. The DC-3/C-47 model is one I found online. I took some video of the painting process, but, knowing me, it will be years before I get around to posting it.


Wrong gun! (I used my 1:6 scale revolver)


Work in progress


color study in Photoshop (with additional reference)


digital sketch


digital layouts


other reference that went into this cover

Friday, September 8, 2017

Orion for Hero Initiative

ORION . 2017. Ink & watercolor on paper, 9 × 12″.

This portrait of Orion will be auctioned off to benefit the Hero Initiative. Bidding is open until next Tuesday. I also recorded a portion of the inking and painting process, which you can view on Periscope.

Have a great weekend (and for those of you in the path of Hurricane Irma, stay safe)!


detail of raw scan

Thursday, September 7, 2017

Guardians (of the Galaxy) for Harvey Relief

Baby Groot Remarque, ink & acrylic marker

The good folks at Mondo are hosting an auction to support Hurricane Harvey relief efforts, so I gladly contributed a couple of screen prints. The regular version (red logo) has a Baby Groot, pictured above, and the variant (blue logo) features Groot.


GUARDIANS OF THE GALAXY. 2016.
Ink(ed by Joe Rivera) on bristol board with digital color, 11 × 17″.


Groot Remarque, ink & acrylic marker

Wednesday, September 6, 2017

Wacky Reference Wednesdays, No. 352

SILVER SURFER AND TOOMIE. 2017.
Gouache on illustration board, 9 × 12″.

Using an anatomical figure I had already sculpted in Sculptris, I created a texture to mimic the reflective surface I needed. By painting a sphere (or using a photo of one) Sculptris can map the reflections to the 3D model to create a passable rendering. This eliminates the need for computing all the light trajectories in a scene. The painting itself was done in gouache on Strathmore Mixed Media Board.


Long live The King!


I think this was a photo I altered and plugged into Sculptris


pencils


detail of raw scan